Here is a link to a really cool article composer Robert Beaser wrote for the New York Times a few years ago. He talks about his time at the Rome Prize fellowship in both 1977 and 2011 and how the experience changed, and how that reflected on the changes in art music between now and then. Check it out!
From the Eastern American Music Distributors Company
World Premiere of Robert Beaser’s The End of Knowing at Michigan State University
On September 25, Kevin Sedatole leads the Michigan State University Band in the world premiere of Robert Beaser’s The End of Knowing, for soprano, baritone and wind ensemble. The premiere takes place at Michigan State University’s Wharton Center in East Lansing, Michigan, and features soprano Lindsay Kesselman and baritone Benjamin Park as soloists.
Commissioned by a consortium of 27 bands across the United States, The End of Knowing is a powerful setting of texts from poets Seamus Heaney, Alfred Noyes, Joseph Brodsky, Gjertrud Schnackenberg, Chidiock Tichborne, Theodore Worozbyt and James Joyce. Beaser describes the work as “a dramatic meditation on the nexus of religion, politics and the fragile human condition.”
Following the premiere, the work receives several performances by ensembles across the country, including a featured performance in Nashville at the College Band Directors National Association (CBDNA) Conference in March 2015.
For more information on Robert Beaser, please visit www.schott-music.com.
Details on the premiere can be found at music.msu.edu.
The End of Knowing (2014)
for soprano, baritone and wind ensemble
texts (Eng) by Seamus Heaney, Alfred Noyes, Joseph Brodsky, Gjertrud Schnackenberg, Chidiock Tichborne, Theodore Worozbyt and James Joyce