MSU Composition project “Voicing Poetry” featured on local NPR

Philip Rice (center) and Cindy Hunter Morgan (right), with Current State host Mark Bashore
Credit Scott Pohl/WKAR

Current State host Mark Bashore talks with two of the artists who worked on the project. Philip Rice is a student in composition at MSU, and Cindy Hunter Morgan is a local poet and lecturer in the English department. See the full story and listen to the broadcast here.

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“The Source”: New Oratorio about WikiLeaks

Continuing with the topic of scandals and current events as topic for dramatic musical works—here is a piece on NPR about a new oratorio to premiere at the Brooklyn Academy based on the WikiLeaks debacle. Before there was the story of whistle blower Edward Snowden, there was Chelsea Manning and her disclosure of military documents to WikiLeaks. Now there is composer Ted Hearnes and a new oratorio using these documents as well as the identity struggles of Manning due to his sex change.

Submitted by Ricardo Lorenz

World Premiere at Michigan State

From the Eastern American Music Distributors Company

World Premiere of Robert Beaser’s The End of Knowing at Michigan State University

World Premiere of Robert Beaser's <em>The End of Knowing</em> at Michigan State University

On September 25, Kevin Sedatole leads the Michigan State University Band in the world premiere of Robert Beaser’s The End of Knowing, for soprano, baritone and wind ensemble. The premiere takes place at Michigan State University’s Wharton Center in East Lansing, Michigan, and features soprano Lindsay Kesselman and baritone Benjamin Park as soloists.

Commissioned by a consortium of 27 bands across the United States, The End of Knowing is a powerful setting of texts from poets Seamus Heaney, Alfred Noyes, Joseph Brodsky, Gjertrud Schnackenberg, Chidiock Tichborne, Theodore Worozbyt and James Joyce. Beaser describes the work as “a dramatic meditation on the nexus of religion, politics and the fragile human condition.”

Following the premiere, the work receives several performances by ensembles across the country, including a featured performance in Nashville at the College Band Directors National Association (CBDNA) Conference in March 2015.

For more information on Robert Beaser, please visit www.schott-music.com.

Details on the premiere can be found at music.msu.edu.

Robert Beaser
The End of Knowing (2014)
for soprano, baritone and wind ensemble
texts (Eng) by Seamus Heaney, Alfred Noyes, Joseph Brodsky, Gjertrud Schnackenberg, Chidiock Tichborne, Theodore Worozbyt and James Joyce
pic.2(2.afl).2.ca.Ebcl.3.bcl.cbcl.2.cbsn.ssax.asax.tsax.barsax-4.3.2.btbn.2euph.1-timp.7perc-hp.pno/synthesizer-db
30’

New Music Detroit: Strange and Beautiful Music VII

New Music Detroit will present Strange Beautiful Music VII this Saturday (Sept. 13, 2014).

New Music Detroit will host a 6-hour event for new music including two world premieres: John Zorn’s “Trilogy” and a work by Detroit native, Frank Pahl.  New York-based violinist, Todd Reynolds, will join us for a set of composition and improvisation.  NMD will perform Detroit’s premiere of David Lang’s “Death Speaks”  with special guest, Shara Worden. Also featured are GVSU’s New Music Ensemble, Miles Brown Quartet, Donald Sinta Sax Quartet, and Clem Fortuna.

Get more details on the NMD website.

The Getty: “A New York Soundtrack for a New York Painting”

Mural, 1943, Jackson Pollock (American, 1912–1956). Oil on canvas, 8’ ¼” x 19’ 10”. University of Iowa Museum of Art, Gift of Peggy Guggenheim, 1959.6 Reproduced with permission from The University of Iowa

“[W]e’re using the Getty Center’s late summer hours to explore the connections between music and the visual arts. Having such a vibrant painting like Pollock’s Mural on view gives us an especially wonderful opportunity to understand how music and art operate as artistic mediums in relation to each other.”

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